A final set of stills from the animation, Ink (2021) aka Variations on a theme of a Petri dish!
Forgetting To Look finds its way into Red’s Kingdom from that same clutch of obsolete floppy discs on which Lilo was floating about, and likewise these illustrations from another old short story. I’ve refined it a bit before sharing on here, though not very much. Mostly, I just cut more words. My admiration for the stories of Raymond Carver is obvious here, a writer who presents us with ordinary people talking ordinarily about things, but for whom life is often changing in distressing ways.
You can find a large-print PDF version here.
Phil Cooper, Washing Machine, mixed media on paper, 30 x 30 cm
“There seem to be perils on every side for Kyp in Chimera at the moment, and it’s never clear who he can really trust. Lots of new information coming at him thick and fast, but who to believe? As well as various characters who might want to do him harm there are also numerous physical dangers in the world of Chimera – like old washing machines falling on his head! It’s a health and safety officer’s nightmare!” Phil Cooper, January 2021
Phil Cooper’s Washing Machine painting on his art table in his Berlin studio, January 2021
It’s been a while coming, but Chapter 16 of Chimera Book 1 has landed at Red’s Kingdom! The prodigiously talented Dan Snelgrove – the voice of Chimera – has had other acting commitments in the real world (wherever that may be!) and his diary continues to look busy for the next few weeks. Needless to say, we’ll bring you the next instalment of Chimera as and when Dan’s schedule allows. But onto the action…
Last time in Chimera Book 1:
‘Silence!’ Whirlitzer whinnied, the kick of his legs sending the glass cases smashing to the ground. ‘Look at you, with your Elsewhere Light shining! What do you know of what you speak? What do you know of abandonment?’
Chapter 16 – Return To The Plummet Pit
Listen to all previous chapters at anchor.fm/chimerabook1
Coming soon to Red’s Kingdom: Chapter 17 – The Dismantlers
A third set of panoramic stills from my short stop-motion film, Ink (2021), which, unlikely as it now looks, captured the interactions between black marker pen and rubbing alcohol on the surface of a 20cm x 20cm white ceramic tile. A number of the images in this collection remind me very strongly of the sublime horror of the footage of nuclear bomb tests.
A second set of stills from Ink (2021), evoking expansive skyscapes and vast coastal land masses.
Inspired, as ever, by all those dubious photographs of ectoplasmic excretions, I locked myself away in the empty salon of the old French house, and waited for the spirits to show themselves…
For our recent Ernst Haeckel-inspired Kick-About, I produced a short little animation, capturing the rather wonderful effect of rubbing alcohol on drawings made in black marker pen. As the process of producing an animation requires lots and lots of individual frames, I was able to isolate some of these landscape-like transformations as a series of satisfying photographs in their own right. More soon.
It was while producing these images for the Kick-About No.18, that I picked up the wrong sort of marker pen, which reacted to the spritzing of alcohol in some fascinating ways. I noticed how the solid lines of ink blossomed unexpectedly into a squirm of tendrils or fine feathery hairs. I noticed too how some consequence of the varying drying times of the ink and the alcohol produced a creeping tide-mark that moved across the surface of the tile – before suddenly retreating again. It was a bit like observing some organism in a petri dish or under a microscope. Suitably-inspired, I set about capturing these evolving ‘Art Forms’ through time-lapse photography.
Photographing the interaction of the ink and alcohol taking place on a ceramic tile, frame-by-frame.
With Ernst Haeckel’s beautiful and often bizarre zoological illustrations as my prompt, it was difficult not to think about images of virology and bacteria (I suspect the global pandemic might have something to do with it too!) and my affection for the b-movies of the 1950s surfaced as quickly, producing something moodier and more ominous than I’d originally planned.
What’s fascinating is a technique, which previously gave rise to a sort of image suited to tasteful greetings cards, should now produce something so tonally different. However, given what we know about some of Haeckel’s other ideas, perhaps the underlying menace is not so wide of the mark.
The many individual photographs comprising the film were originally in colour, but I ultimately took the decision to produce the finished film in black and white. It was one of those instances when the sum of the film won out over its parts, with the music and the vintage flicker of the images crying out for monochrome. I’ve included the colour alternate version here for your curiosity.
Following the simple, unadorned charms of our previous still-life inspired Kick-About, in which we were encouraged to turn our creative attentions to objects rather ordinary and domestic, this week’s edition is a good deal more fanciful. With Ernst Haeckel’s Art Forms in Nature as our collective stomping ground, we’ve generated between us a veritable coral reef of different ideas, processes and creativity.
“Haeckel’s images have that other worldly alienness of the microscopic, to me, they tread a line between the interspatial and the outer spatial. With this image I started “riffing” in Maya with repeated forms, influenced a little by Hebrew descriptions of the Ophanim. With a bit of “evolution” a tiny bit of “Interstellar” and a smidge of “Event Horizon” I ended up here.”
“As regular Kick-Abouters are probably aware, I’ve been playing around with freeform crochet off-and-on throughout these last few months. First I tried faces, then a whole new world, and then the use of crochet to visualise forms from different environments. I had also started to play about with mathematical forms, and I came across the work of Christine and Margaret Wertheim. (Check it out. It is mind-blowing!. I had to have a go. The Kickabout 19 gave me the perfect opportunity to put some of these ideas together. If Ernst Haeckel reveals art forms in nature, what better example than the myriad forms and colours of a coral reef? I just loved this Kick-About. Great fun!”
“Ernst had me take a few snaps of garden toot – nigella, poppy and rocket (or is it arugula over there?) seed heads and some other scraps in a vase on a rainy day. Low light and not much in focus but I think moody.“
“And one little gauche pic – no husband, it is not a pumpkin!”
“I imagine these images (created by mashing together a bunch of images and outputting them through different software) as explosions, atoms, cells, planets or even galaxies seen in their most embryonic stage, viewed through some impossibly powerful microscope.”
“I’ve admired Haeckel’s work for years but had never really researched the man. A surprise was in store… which made me see it in a very different light. He was a eugenicist/scientific racist believing in both the superiority of German culture/ race and monism (represented as a circle with a central dot). This guided my response. I decided to find beauty in the…so called…imperfect, which, to me, has always been a more interesting area to explore: dusty dead insects picked up in my studio, broken / found objects, scratched and stained surfaces, ageing skin… all this evidence of life long lived… so many layers of history.”
Charcoal on Fabriano. 30” X 22” / Crayon on Fabriano. 19” X 19”
“I’ve been a fan of Haeckel’s work for many years. In the mid-1990s I used to work in Covent Garden, in London, and there was a wonderful shop selling books of source material for artists and designers. There would usually be a volume of Haeckel’s images in the window, with a cover illustration of strange and otherworldly creatures.
Haeckel’s prints are an absolute marvel. They record every, tiny detail of each subject with such laser-sharp intensity, an intensity that gives the images a uniquely mysterious and odd quality. In fact, many of the images are quite nightmarish to my mind. What may be harmless sea creatures often seem to have spikes, tendrils and/or tentacles. There are creatures here that remind me of The Thing, when it gets the dog in the kennels...
At the moment there is a jam-jar of twigs and berries on my desk, gathered on a winter walk in the woods just south west of Berlin, not far from where Haeckel was born, it turns out. So, I’ve photographed them for the kick about this week and played about with the images a bit to try and draw out some strangeness. Nothing as remotely strange as a page of Haeckel drawings of plankton though!“
“As per usual I am torn between going down a textile or a painting route with the wonderful art of Ernst Haeckel. Oh, how I wish we had been given such fabulous ideas and examples for study back in the O level days! But hey, it’s never too late and the Kick-About and lockdown is a great opportunity to make another run at the tape, so to speak.
These last few weeks I have spent many hours trudging through soggy woods and finding lots of examples of lichen and leaves. Around my area, Oak and Beech are prevalent, as they don’t rot away easily. Consequently the woodland paths seem to shimmer and shine in the wet and make wonderful shapes and patterns underfoot, which I have tried to capture in acrylics. My other submission is using various stitches, beads and shells depicting an underwater scene I did a while back.”
“This was a curious Kick-About, as the subject matter was immediately attractive to me, mainly because the sense of patterning and natural forms has always attracted my attention. I saw this tower of watch parts in a workshop window in Bristol last week and it reminded me of the images of Ernst Haeckel.
However, in my own work it flows between 2 and 3 dimensions. The desire for me is not so much the patterns as the incongruity and movement in the growing process, and the cellular transparency of delicate organisms.
I started this piece some while ago and I have been trying to come to grips with it over this year. It is made from cardboard boxes cut into strips and reassembled to create a more transparent filigree effect. I do some, then leave it, and then this prompt made me come back to it. Thank you. It needs reviving!
I anticipate it will grow more towards the original drawing as the ‘Limbs’ will become more numerous. I want the piece to curve so that the viewer can stand within to look out on a different world. It’s going to take a while!“
“I was spoiled for choice with this Kick-About, with rural Ireland having a bountiful abundance of botany with textures, colours and shapes, all the flora and vegetation feeling like an endless pick’n’mix. I always find myself thinking about the intricate patterns and shapes as I snap away; mint green reindeer moss looking like bleached coral under a microscopic macro lens, and the swirling and meandering of ice a jigsaw of frozen motion. Twigs, branches and petals look like spores – after some manipulation. Suffice to say, I loved this kick-about and I loved learning about Ernst Haeckel and his gorgeous Illustrations. I could go on and on with creating designs like this and I have a hankering to do so!”
“It was while producing these images for the Kick-About No.18, that I picked up the wrong sort of marker pen, which reacted to the spritzing of alcohol in some fascinating ways. I noticed how the solid lines of ink blossomed unexpectedly into a squirm of tendrils or fine feathery hairs. I noticed too how some consequence of the varying drying times of the ink and the alcohol produced a creeping tide-mark that moved across the surface of the tile – before suddenly retreating again. It was a bit like observing some organism in a petri dish or under a microscope. Suitably-inspired, I set about capturing these evolving ‘Art forms’ through time-lapse photography. It was difficult not to think about images of virology and bacteria, and my affection for the b-movies of the 1950s surfaced as quickly, producing something moodier and more ominous than I’d originally planned. What’s fascinating is a technique, which previously gave rise to a sort of image suited to tasteful greetings cards, should now produce something so tonally different. However, given what we know about some of Haeckel’s other ideas, perhaps the underlying menace is not so wide of the mark…”
Photographing the interaction of the ink and alcohol taking place on a ceramic tile.
“Here’s my little offering for this week’s Kick-About: a plain and simple graphic study of some fascinating fungi I had in my photo archive of interesting stuff to draw one day. Not sure of their name, but this is no impediment to studying their forms and surfaces. The pattern in the backdrop is based on the folded, rippled surface on the stem. I think I’ve made them look monumental, when in reality they’re probably quite tiny. Great inking practice, my current obsession.”
“What fun this was! I looked in my collage box/reference book collection for nature images that I could combine to create new forms based on Haeckel’s paintings. This is a project that could go on and on…”
in reciprocity to
meet the world halfway
“‘The Story of the Development of a Youth’ consists of Haeckel’s letters home, whilst studying age 18-22 (1852-56). A really good read, brimming with exuberant enthusiasm, energy, and appetite for learning, each letter of enchanting spirit and feeling, humour, impulsiveness, apprehension, mood swing and a deep devotion to Christianity. Haeckel’s left-eye was fixed down the microscope, his right focused on the drawings so, I’ve tried capturing Haeckel’s spirit, framing it within the scope, and beyond it is representation of his melancholy and homesickness.” Oil on prepared paper 50cm x 50cm
Many thanks to Kick-Abouter, Jan Blake, for our next jumping off point – the following quotation from Cifford W Ashley’s The Ashley Book of Knots (1944):
“To prevent slipping, a knot depends on friction, and to provide friction there must be pressure of some sort. This pressure and the place within the knot where it occurs is called the nip. The security of a knot appears to depend solely on its nip.”
Looking forward to seeing where this one takes us – and if you’ve enjoyed this week’s kick-about and fancy a run around with the rest of us, get in touch and get involved.