A final set of Kick-About #45-inspired photographs, produced in response to the challenge of trying to kick-start a small celestial body in the confines of my narrow terraced house… In some of these images, you might think I was photographing a gilded shell or similar as my subject, when in fact you’re looking at the rotations of an illuminated glass vessel spinning on the spot.
A different take on the old French house for this Friday’s trip in the time-machine. This image from 2009 looks like the aftermath of some terrible row or marital stand-off, when, in fact, it’s nothing of the sort, just a moment captured between two people. Seconds later, my husband and I were probably laughing at some rubbish joke (his, not mine obviously). As it stands, there is a richness of the light and shadow here, and a tension in the tableau, and a filmic vibe that puts me in mind of the paintings of Edward Hopper.
A second batch of Kick-About-inspired orbs, spinning around in dark spaces.
Our latest Kick-About was inspired by an obscure (to me at least) alchemical text dated from 1582 entitled Splendor Solis or The Splendour of the Sun. So how to conjure an astronomical phenomena into being in a short space of time, when access to fusion reactors, rocket-ships or celestial wormholes is otherwise unavailable?
There’s a part of me that wants to keep the whole process behind these photographs as mysterious and unknowable as their subject; another part of me can’t wait to tell you I quite literally put a source of light into a glass vessel and then gave it a bloody good shake… light and time producing an alchemy all of its own.
From the effortless, airborne whirligigs of our last Kick-About together to another transmutation of matter into something elemental and illuminating! For this week’s creative challenge, we’ve been in the business of summoning the sunshine, and, at risk of seeming self-serving, I want to give special thanks to Gary Thorne for his contribution, which has something nice to say about all these continuing acts of creativity of ours, and the light they bring.
“I was thinking what could be the most ‘alchemical’ transformation imagined? What on Earth happens in those tiny parcels called the chrysalis? From the juicy tube of a caterpillar, wrapped tight and left to transform, an entirely new creature is made: the butterfly, drying and pumping its wings in the sun, a symbol of summer. The image is upside down, as I wanted the cases to look like ‘sort of’ vessels, with the butterfly levitating and held by one antenna; the dark and the light existing together.”
“I have tried to capture the colours and shapes of the Sun, as depicted through centuries of astrological and alchemical treatises and depictions. It was much aided by photographing in the bright clear sunshine of an unexpectedly lovely January day.”
“Of all the imagery in Splendor Solis, what amused me the most was the theatricality of three-headed dragons, peacocks and a menagerie of other bizarre things magically appearing in bottles by the presumed mixing of various materials and more than a bit of a hocus pocus. I decided to conjure up some of my own alchemic creations and create something a bit fantastical.”
“I was making a collage earlier this week, painting textured papers to make the raw material and then snipping and glueing into place for the final image. When I’m working with collage, the papers and leftover cuttings get strewn about the floor and quickly build up to form drifts of scraps around my feet. While I was making, from time to time, I’d muse on the beautiful Splendor Solis prompt, and what I might make for this week’s Kick-About.
I started to focus on the transmutation of alchemy, and so turned to the flotsam and jetsam surrounding my desk as I was messing about with collage. It’s a medium I enjoy working with for many reasons, mainly for the surprising juxtapositions that can emerge as I put one piece of paper next to another; effects that would never have happened if I’d tried to direct painting. When it works, it’s transformative, the separate elements of the collage become more than the sum of parts and something new is created.
So this piece is using up some of those paper scraps that have been generated by my work earlier in the week. Using the alchemy of collage, I’m reflecting on the rather everyday, mundane alchemy that we’re all doing all the time; how our thoughts, words and actions ripple out into the world, influencing and changing things, sometimes dramatically, sometimes subtly.”
“My pic was born a couple of days before the KA announcement but I thought it fitted in – colour if not theme. It’s about how we are just ‘other’ animals – not nearly as clever as we’d like to believe. It is also to do with male sexuality (cue an old book “Sex On the Brain: The Biological Differences Between Men and Women”). I added a couple of quick sketches fully in response to the KA.”
“It’s been a hard 2 weeks at the office! I have tried various methods to obtain my Eureka moment – one of which included getting up at 5.30am to capture the sun rise ( which when it happened I seemed to miss!). Eventually I decided to use a sacred geometry and alchemy symbol and copied the design using black threads on a painted background. However, being a ‘perfectionist Virgo’ I was not content with the result, so I then spent some time adding various bits of crochet , threads and material scraps from my ‘magpie stash.'”
“Thanks for the introduction to this wonderful book! I could have gone on and on time permitting, and will keep it in mind for future expLorations. Out of the 22 images of the Splendor Solis, I chose to work with Plate 2, The Alchemist: “Seek the Nature of the Four Elements”. First I did a collage based on the painting alone, then, after reading a bit about its symbolism, I made my own, looser interpretation. I was especially drawn to the Alchemist’s connection to the natural world, in particular flowers and birds, and his alternate identity as the Deity of Celestial Light.”
Below my feet the path waits
for the earth to open me–
the layers of brown and green
remember the moon, its circles
through both dark and light.
The chill of morning warms
to birdsong. The seasons
endure. In spring the autumn
seems far away, but life is
always preparing to die
and start all over again.
What is the secret of transformation?–
ancestors embedded in every root,
in every branch rich with leaves
that will blaze in a sudden last glory–
nourishing what follows
with what has come before.
We know so little, after all,
of the workings of nature,
of its consciousness. Does it
even have yesterdays or tomorrows?
Does it acknowledge return, or is all
but a single endless moment in time?
We mirror our own inner maps
as stars–the dust of elements
contained in our bones–
merely vessels, seeking
the essence of who we are
inside the question itself.
“So, how to conjure an astronomical phenomena into being in a short space of time, when access to fusion reactors, rocket-ships or celestial wormholes is otherwise unavailable? There’s a part of me that wants to keep the whole process behind these photographs as mysterious and unknowable as their subject; another part of me can’t wait to tell you I quite literally put a source of light into a glass vessel and then gave it a bloody good shake… light and time producing an alchemy all of its own.”
“When in the period of the Post-Covid, people’s minds were waking from the long sleep of darkness, Phil Gomm, one of the well known Adepts of Inspiration, went forth (with his followers) in further search of that secret knowledge, the possession of which leads to Alchemical Adeptship for the Truely Motivated. Let those, lost in times of darkness, reflect on the reputed works of the KA Adepts, to ignite their own transformation.”
And for our next foray, ladies and gentlemen, a few expansive words on the theme of home and habitations from the likes of Gaston Bachelard…
From all the way back in 2009, some reminders of a happy place, and of late summer days, and very simple pleasures, and of time, slowing.
A second set of Calder-inspired photographs, produced in response to the Kick-About No.44, and achieved through the simple means of photographing a garland of cellophane wrappers, unfurled from a great many Quality Street chocolates…
A couple of other-worldly manifestations from 2015. What is it? Where does it come from? What does it want?!
With one of Alexander Calder’s wonderful sculptures-comes-mobiles as the prompt for the latest Kick-About, I initially set about producing these digital compositions in Photoshop. I then happened on a much more lo-fi opportunity, resulting from my husband’s impressive consumption of Quality Street chocolates over the Christmas period; Quality Street come wrapped in these lovely squares of coloured cellophane, which my husband turned into an ad-hoc garland hanging down from the mirror – in glorification of his gluttony!
Suspending the streamer of sweet wrappers from the ceiling, I set out about photographing it from below – lying on my back on the floor and framing the shots to avoid the presence of the cobwebs and the smoke detector! I enjoyed very much the water-colouresque results in all their floatiness, and I’m tempted to draw some conclusion here about the routes towards inspiration being found more-often-than-not in the realm of analogue activities.
I love Alexander Calder’s work, so in response to the prompt for the Kick-About #44, I wanted to build some similar whirling thing in my house, and then seek to capture ideas of movement, flight, shadow and light in some kind of photographic response. I settled on the idea of producing imagery using virtual components only, so first building some Calder-inspired shapes in Photoshop and then combining them to produce these ‘snapshots’ of their imaginary interactions.