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When I look at the juvenile forms of the cicada, I experience instinctive distaste and also fascination. I feel similarly about these images of my own larval self. I experience some distaste at my physical appearance back then in the way we all recoil a bit – unremarkably – when we see images of our…
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Our last Kickabout prompt, based off Sickert’s painting ‘Ennui’, inspired a range of new work by our participating artists on themes of listless, languor and waiting. When you consider the prolonged incubation times of your average cicada, you could say we haven’t moved all that far this week! That said, we’re a long away from…
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More photographs from the flaxen, tinder-dry periphery of Knave’s Ash, where layer-upon-layer of fine filaments hold the late afternoon light at their tips and everything is crisp under my flip-flops, but soft on the eye.
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In the knowledge the recent heat and drought must be turning the meadows, hay fields and forgotten scrublands into parched vistas of gold, ochre and rust, I’ve been keen to get out and about with my camera again.
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It’s time to catch-up with Red’s Kingdom’s artist-in-residence, Graeme Daly, and this time, Graeme and I decided we’d capture our conversation ‘as-it-happened’ and put it out on here accordingly. I began by asking Graeme about his most recent updates on The Green Glider…
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I don’t remember when I took this photograph of Echinops bannaticus. I don’t know where it was, in which garden. I know why I took it – just look at it, like some explosive, speeding particle or planet of spires – or virus.
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At some point in the middle of the lock-down, Emily Clarkson and I had a heart-to-heart on the phone. We talked about ‘what to do?’ in response to COVID. It was an existential question, and one being asked by creatives of all stripes in 2020. Emily and I are both freelancers and grimly aware things…
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Dr Frank Poole is a character in Stanley Kubrick’s celebrated, technically-breathtaking think-piece, 2001 – A Space Odyssey (1968). This is a film I admire very much, but one of my favourite things about 2001 are Dr Frank Poole’s shorts. Here’s why.
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Another all-nighter in an old grand house, and this time in rooms even more cavernous and derelict than previously, instructing waves of spectral light to rise from dusty floors.
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I’ve been working hard to make sure all of the creatures have joie de vivre when it comes to their look and movements, and at the same time I’ve tried to make them very robust. I mean, I’m quite satisfied that they basically function and look exactly as I want, and if any changes do…
Red's Kingdom 