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After the long, slow, sleepy life-cycles of the Kick-About#8’s cicadas, I felt we needed a bit of clatter, percussion and forward velocity in the mix. I knew just the thing, unleashing John Adams fast machine and setting it rocketing off into the bloggosphere. You can see the full range of work Adams’ music inspired here…
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In marked contrast to our last creative prompt, which encouraged us to reflect on the slow, attenuated life-cycles of the cicada, this week’s jumping-off point invites adventures in velocity. As per, the range of responses is a delight. My advice? Slow down and have a really good look.
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The film series Getting Lost In Fields began as a response to this Kick-About prompt, in which I challenged myself to use my numerous photographs of local fields, pastures and scrubland as the basis for some moving image work. Really, I wanted to seek to share my feelings about these landscapes, what it was like…
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Back in March 2013, I was tasked with conceiving of a way in which an entire community of animation students, staff and alumni could work together on a big external EU-funded project, the goal of which was to visualise classical music engagingly and thus initiate new audiences into the concert-going experience.
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Between 2013 and 2019, I was involved in a series of ambitious European-funded creative projects centred around the visualisation of sound, and specifically the visualisation of classical music. During this time, I was fortunate enough to work with many very talented people, a number of whom I continue to work with on new projects today…
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David H. Keller’s 1932 short story, The Thing In The Cellar, is one of my favourite things. Here’s why.
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I didn’t know this 1964 short film directed by Gene R Kearney, or the 1934 short story written by Conrad Aiken, from which it is adapted. I feel like I should have known it – or rather, I feel I have always known this story, just not in this specific form.
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A final visit to the soft gilded bristles of Knave’s Ash, with its bronze skeins and glinting copper.
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There was a period in my life when I got used to editing other people’s video footage into coherency, inheriting hours of hand-held video and working with it to produce something engaging and resolved. Editing 5×5 was one of the more exciting and rewarding examples of this kind of work, not least because the slight…
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At one end of this dry, brittle field, all the stiff congregations of desiccated rumex spires made me think of ermine, or of leopard moths, or the streaking on tulip petals, and always brush work, as if someone has been using the tip of a very dry brush to lift these late Summer vistas with…
Red's Kingdom 