After Rutenberg #2 (2021)

The Kick-About No.32 introduced me to the paintings of American artist, Brian Rutenberg and his loose, vibrant abstracts. What followed for me was an ongoing exploration of form and colour, starting with cardboard maquettes and ending with the production of a series of abstract compositions produced by photographing the maquettes. Different installations under different lighting conditions produced a range of interesting results. This set was created by photographing the assembled maquettes through a sheet of glass, which itself had been painted with a few expressive strokes of a fat, dry brush. More to come.

After Rutenberg #1 (2021)

After the first big hit of colour, the next most immediate thing I got from Rutenberg’s painting (the prompt for The Kick-About No. 32) was its three-dimensionality, that strong sense of folded planes and faceting, as if we’re stood on the floor of some Technicoloured canyon, staring off into the distance, or more precariously, standing with one foot on either side of a rainbowed crevasse, and looking down between our feet at the prismatic chasm below. This was a vista I could feel with my fingers and I found the desire to build some Low Dense-inspired ‘chunks’ irresistible.

Fabricated quickly by folding cardboard and taping it into shape, and reaching once again for some tried-and-tested PVA goop, I whipped up some ‘Ruten-Bergs’ and then painted them up in a manner meant to emulate some of the characteristics of the painting.

That done, I pushed my Ruten-Bergs together in different configurations and photographed them in various different ways, under various different lights, until I was achieving some suitably painterly effects. I tried it lots of different ways, including photographing the Ruten-Bergs through a sheet of glass also daubed brushstrokes. Not all the resulting images were ‘on brief’, but I found some of them interesting enough nonetheless. I’ll be sharing a few more examples and different iterations on here over the coming days.