The Kick-About #56 ‘For Drummers Only’


There’s something stripped back and uncompromising about the paintings of Basquiat, the prompt for our last Kick-About together. Likewise Sandy Nelson’s For Drummers Only, a 12 minute drum solo from 1962 that has likely had a few of us bopping about our respective work spaces or reaching for saucepans and wooden spoons to make a noise with…


Vanessa Clegg

“I closed my eyes and let the music fill me up… legs and feet jiggling to the beat, memories of the 606 club on the New Kings Rd..the doors opening just before midnight, musicians arriving after their various gigs and ‘ jamming’ ’til the early hours, alcohol in coffee cups and cigarette smoke hanging low, climbing the stairs at dawn. A quiet response to an exhilarating disc and time travel.” Watercolour and graphite on gesso.


vanessaclegg.co.uk


James Randall

“Loved the track and immediately went to motion and hit on a methodology that seemed to work. Then I needed a soundtrack without the fear of copyright infringement so created a noise to time an animation to. The narrative for the animation came from me walking into town for an artist’s talk- haven’t been out at night for ever! My first attempt came to a sudden halt after some effort was spent trying to recreate a street scene. It was never going to have any of the emotion of the real thing. So I rethought and came up with a type work that you can sometimes read but poor colour choices make that very difficult. Also about two thirds of the way through my words created in a different computer application run out. It’s a bit of a mess but I think it’s pretty and that’s what we need isn’t it?”



Colin Bean

“The prompt initially recalled my grandfather tapping out the ‘Radetszky March’ on the kitchen table.  He saw service in both world wars and as an Austrian  became German in 1938 and served in the Wehrmacht. Themes in ‘The Tin Drum’ (Gunther Grass), written after the war, suggested the imagery. Once I had the image, I used a Berol handwriting pen over washes created with watercolour pencils and used the same to enrich. The scrap glass over the image was smashed with a hammer. In honesty I have not  properly read The Tin Drum, but some years ago I did read ‘The Painted Bird’ (Jerzy Kosinski) and neither is for the faint hearted. Both, I think, deal with individual survival. In the end the image makes comment on the aspects of the war that my grandfather survived but didn’t say much about.”




Charly Skilling

“I love drumming. I love the sound, the rhythm, the feel of drumming. Fingertips on  desktops,  palms on bongos,  sticks on big bass, brushes on snares – any type of drumming is ok with me. And Sandy Nelson was one of the first big name  drummers to make its way into my consciousness. So having wallowed in the Sandy Nelson track several times, I first tried reflecting the rhythms by using sharpie pens as drum sticks, allowing the tips to mark as they would and then adding more purpose to my daubing as a kind of notation. I then moved on to create my own rhythms by allotting different colour paints to my fingers on each hand and drumming with first fingertips only and then with the flat of my fingers and palms.  Finally, I used two paintbrushes as drum sticks and, one in each hand, bashed out the rhythm. I had such fun. I’ll probably do it again!”



Jan Blake

I became totally immersed in this and this early painting was trying to capture all of it in one place….”



“… I then felt that the whole piece reminded me of a train journey through various terrains. Maybe prompted by a trip I will be making next week. I love the planning and the anticipation of travel.  Train journeys and stations have been cropping up in my sketchbooks  for many years and its the rhythm of the trains and the intricacies of the cables that seem to lend themselves to this drumming piece I ran out of time to arrange all the images I had encountered in my imagination so here are some I have selected to represent this journey.


janblake.co.uk


Marion Raper

“Upon doing some research I discovered that drumming releases endorphins, enkephalins and alpha waves in the brain, which are associated with feelings of happiness and well being. How wonderful!  Is this why we tap out feet or click our fingers to a catchy rhythm or beat? Or perhaps even feel we simply have to get up and dance? Although this is a rather tenuous link – here are some quick sketches of  happy couples ‘getting down with the beat’ and thoroughly enjoying themselves. Long may it continue!”



Kerfe Roig

“The drumming of Sandy Nelson reminded me of heartbeats which can careen wildly under different circumstances.  When I looked online for images of hearts, I was attracted to the somewhat psychedelic MRI images. I wanted to work large, but even with 18 x 24 paper, I was unable to do justice to all the different elements of the heart. I made no layout, but just started drawing in the upper center with my colored pencils, a small section each day.  So both the line quality and the proportions changed as I went on.  Whole sections were expanded, compressed, and left out – just like the trajectory of the drumming in my mind.”


kblog.blog / methodtwomadness.wordpress.com


Francesca Maxwell

“What a great album, thank you Charly, very inspiring. I find percussions and drums quite fascinating. When I was heavily pregnant with Sophie, we went to a Kodo Drummers gig. I didn’t realise it would be quite so loud and powerful, I could feel the sound waves going through me like through air, I could barely breathe. I was quite worried about Sophie, but she started kicking madly as soon as the sound stopped, which I took as a sign of appreciation. So here I am, back on the heart, and the heart beat responding to the drumming.” Acrylic Inks on watercolour paper, 25×17 cm.


www.FBM.me.uk


Phil Gomm

“My immediate response to this prompt was ‘make a film’, so I set about trying to find a means to visualise Nelson’s percussive effects; I built some simple 2D shapes in the video-editing software and tried to ‘vibrate’ them. I had the image of a cymbal being struck, a disc-shape producing more complex effects due to the persistence of vision. I struggled a bit, because I couldn’t get what my imagination was showing me. That said, during the experiments that led me to give up on the idea of moving image, I began to develop some work for which I could muster more enthusiasm – and if not visualisations of sound exactly, than artwork that wouldn’t look too out of place on the front cover of a jazz album.”


philgomm.com


Phil Cooper

“I’ve been enjoying listening to the amazing percussion of Sandy Nelson this week. I’d put it on when I was cooking, cleaning, working, it’s great for doing anything to. From time to time I’d grab a pen or a ruler and start tapping things in time to the music, the beats and rhythms are infectious. In response I made some cut-out paper shapes, trying to capture something of the music in the repeated shapes and colours of the papers. I then photographed them, overlaying the shapes and making different arrangements before adding some effects in Snapseed and Enlight. It was great fun and I found using sounds as a starting point was very freeing. It really encouraged spontaneity.”


instagram.com/philcoops / hedgecrows.wordpress.com / phil-cooper.com


Gary Thorne

“Still on whirligigs… but wishing to crank up the crank-shaft automation in order to learn a few new tricks whilst challenging the figure of speech ‘when pigs fly’. Some tweaking still to be done…”


linkedin.com/in/gary-thorne


Graeme Daly

“The plan was to plug the music for this week’s Kick About into a powerful plugin within Maya and have each drum model move to the rhythm of the whips and high hats in a synchronised swim of instruments. But alas my setup couldn’t handle rendering video with all the glossy gold materials and red rim lighting. Instead I decided to settle on snapshots and just focus on the materials and lighting, similar to the atmosphere you might see in a warm low lit speakeasy or jazz lounge.”


@graemedalyart / vimeo.com/graemedaly / linkedin.com/in/graeme-daly / twitter.com/Graeme_Daly / gentlegiant.blog


Thanks to Australia-based artist, illustrator and Kick-Abouter, Judy Watson, we have our new prompt, in the form of the drawings of Mervyn Peake. Have fun.



The Kick-About #55 ‘Basquiat’


Our last Kick-About together was characterised by a whirl of ingenuity, with our community of artists reaching for ad-hoc materials and digging out old tools by which to produce their ‘new works in a short time’. With Jean-Michel Basquiat’s paintings as this edition’s start-point, the range of work is no less inventive, and in common with Basquiat’s Untitled (1981), offers up an intriguing x-ray of the creative mind.


Graeme Daly

“Some expressionistic ramblings for this Basquiat prompt, feeling very much cathartic and automatic. I am sure there’s some hidden meanings in there somewhere!”


@graemedalyart / vimeo.com/graemedaly / linkedin.com/in/graeme-daly / twitter.com/Graeme_Daly / gentlegiant.blog


Francesca Maxwell

“I always find Basquiat fascinating, mostly because I cannot paint like him, so it is a sort of magic to me.  To try and paint something inspired by him was a challenge, and, at the same time, it gave me a sense of freedom I haven’t felt in my creative endeavours for a while. 

In the last few months I had a painting in my head which I couldn’t express. I had heart surgery to remove a tumour and wanted to paint the experience somehow, and Basquiat’s rich and symbolic, and, at the same time, innocent style seemed to be a good way. So this is painting over an old painting, multi layered and using different techniques.” “To My Heart’s Content” Inks, acrylic and crayons on paper. 76×56 cm.


www.FBM.me.uk


Kerfe Roig

“Skulls are ubiquitous in the work of Basquiat. He’s also famous for using whatever material he had at hand–newspaper, cardboard, a refrigerator, a door.  I’ve been meaning to revive my Headline Haiku series, that I did when Nina and I started the blog, using the news in the newspaper to collage or stitch or draw on and words from the accompanying articles for haiku-like poems.  In the past I’ve cut out actual headlines, or fed text into an online poetry generator, but in this case I did blackout poems from the news stories.

I used two pages from the war in Ukraine, one about the million deaths in the US from Covid, and one listing the gun-supporting Republicans with quotes from them about guns, along with how much money they get from the NRA, as backdrops for some skulls painted somewhat in the style of Basquiat. I believe were he still alive he would find all of those issues to be fodder for his work. At any rate, I’m hoping for some cheerier news soon.  At least you have the Queen to distract you for a few days…





kblog.blog / methodtwomadness.wordpress.com


Gary Thorne

Lucian Freud’s dynamic portrait of ER II immediately sprang to mind. Freud and Basquiat’s portraits share a bold three-dimensionality carved out in 2-D. With ER II proving hard to ignore, all cupboards were raided for this project. 1952 features on the front propellor whilst 2022 adorns its rear, throwing ER I into the mix and, ‘spiking ER II’ a-top a candlestick base added up to a crazy-fun KA!”


linkedin.com/in/gary-thorne


James Randall

“When I was ignorantly young I found a portal into the Andy Warhol world through his Interview magazine and discovered this street artist – so exciting! This Kick-About I implored Gary Thorne to allow me to use his selfie (and ultimately his last KA effort as well) to memorialise his and my husband’s 1978 excursion to the Venice Biennale (as Gary has just returned from this year’s event.) There were so many birds in the previous KA that I mistook Gary’s swimmer for a bird-like manifestation, so this round he became a yellow breasted Gary with masked plumage, and my husband became a crested red legged Gerry! ‘New is bad’ is a recent thought bubble about the environment, but I thought a bit of graffiti text and bright colour might edge me towards a KA pass (sorry Jean-Michel). It was also a bit of a play with composition, dividing the picture plane left right 50:50 then the left half 50:50 then the bottom left quarter 50:50. Bit of a miss mash image but fun to do.”



Phil Gomm

“I took the opportunity of this latest prompt to do something I don’t usually do or identify with particularly, which was to style myself as a ‘painter’, and undertake some expressionist self-portraits. The last time I did a self-portrait, it was in black biro pen and completed about twenty-five years ago, so I knew I was going to have to work-up to producing something. With this in mind, I set myself the restriction of working on one piece of yellow A2 paper, and working fast (20 minute stints) and using wax crayons, chalks and acrylic paint squeezed straight from the tube – and painting on top, and over, all previous various efforts. This way I hoped I could accumulate enough energy and courage to arrive at something I might otherwise have struggled to envision or produce, and move myself away from worrying too much about accuracy in favour of semblances. Now I have to laugh though, with the faces looking back at me ranging from Rasputin, the mad monk, to Max von Sydow as Flash Gordon’s Ming the Merciless! They all look rather sad, or haughty, or haunted. A bit taken back, people sometimes say to me, ‘How can you write those nasty little short stories of yours? You seem like such a nice bloke.’ Haha. I think ‘the bloke’ in some of these portraits is better placed to answer that question.”


philgomm.com


Phil Cooper

“Jean-Michel Basquiat is an artist I’ve often heard mentioned but knew very little about,  so after I saw the new Kick-About prompt I went and watched a few documentary films online to find out more. I admire how quickly and freely he worked. I read he used to work on several images at a time, with the TV on, music blaring, and reference books open everywhere. I think my head would explode if I tried something similar, but I can see how such an approach could stop you thinking too much, you’d just get into a flow of responses which could be creatively liberating.  I made some paper collages with this aspect of Basquiat’s process in mind, and forced myself to work quickly, trying not to judge what I was doing; just put an image down, snap a photo, then rearrange and do another one.” 


instagram.com/philcoops / hedgecrows.wordpress.com / phil-cooper.com


Marion Raper

“It is a strange coincidence that this time the Kick-About concerns a wonderful picture of a head by Jean-Michel Basquiat, as I have recently spent some time in A and E with a fractured jaw! The body is an amazing concept with its own protective mechanisms which,until we do something to ‘test it’ so to speak, we have no knowledge of (although I wouldnt recommend this!). For example, swelling around a damaged bone as protection ,and also bone spicules, which are little unwanted slithers of tooth/bone which work their way out through the gums to help the healing process. Amazing! No wonder Jean-Michel was intrigued as a boy after his broken arm and spleen surgery… My collage was done a while ago using cut scraps from a magazine, and the portrait is from a recent art class – which really made me concentrate on bone structure.”



Charly Skilling

“Jean-Michel Basquiat is new to me, and I was drawn to his use of colour and the strong sense of playfulness in some of his work.  When I saw  his Dinosaur (Pez Dispenser), it immediately brought a broad smile to my face and memories of Pez dispensers I have known (mostly Donald Duck, Mickey Mouse and Pluto that I recall, though I am sure there have been many more over the years! Did you know you can still get them? On Amazon, of course. Amazing!) Anyway, Basquiat’s dinosaur got me thinking about how I would create its like in crochet and my path was set.”



Colin Bean

Three related graffiti images appeared en route (on pathway, road and wall) between my home and the supermarket, each outline in a different situation, but all with a red spray can ‘shot’ in the head. The wall version is pictured running from a large white cloud with the word ‘Life’ centred in it, and the colours used are red, white and black. The narrative of my panel re-uses  those images  and adds to it associated human and animal ‘chance encounters and irrational meetings’ on the walk. The panel itself recollects a much larger French tapestry. Not far off what the Surrealists and Dadaist were trying out and experimenting with in the 20’s.

The central panel is satin stitch, and detail are simple straight stitch or zig zag, the dots hole-punched in card, used as stencil with a felt tip. The design was reversed and traced with an embroidery pencil onto ordinary tracing paper… you just iron on and the lines transfer. The narrow panels are just freely stitched with separated threads of tapestry wool. The cans were internet images cut up and zig zagged on, as were the scrap white cotton for the bags. Cannabis leaves were felt tipped in before embroidery. The two lines above and below the text were ‘built in’ embroidery stitches already in the sewing machine. The lettering was hand-drawn with no font used, and as for the coloured lettering, that’s created with thread that is bought already randomly variegated, so the colour changes as you stitch.”



Vanessa Clegg

“Some of Basquiat’s portraits have a kind of looseness that looks like threads unravelling, so it got me to once more reach for the sewing bag and start stitching. Building the colours and trying to get a ‘drawn’ element, this eventually resulted in ‘Eve.’ – a bit of a crazed-looking individual, but a great way to work (ie: starting with no idea what to do but letting it evolve) for someone who researches and plans assiduously, so another triumph for the Kick-About in it’s continual way of challenging and stimulating through each prompt. So glad to be back!”


vanessaclegg.co.uk


Thanks to crochet queen and regular Kick-Abouter, Charly Skilling, we have a brand new prompt: “Drum roll, please…”



The Kick-About #54 ‘Whirligig’


Our last Kick-About together invited us into the spectacle of Toulouse-Lautrec’s circus paintings, and so to spin around for a bit in the company of clowns and acrobats. Thanks to Kick-Abouter, Gary Thorne, we appear to be turning in circles again this week, and departing on other flights of fancy…


Gary Thorne

“Having swam my way through sciatica, it seemed appropriate to channel that commitment into a Whirligig self-portrait. It is not quite pivoting smoothly on turning into the wind – so more engineering fun ahead yet, it was massive fun to make. Apology for the amateur film making!”


linkedin.com/in/gary-thorne


James Randall

“I found myself with a bit of time for a 50 second whirligig video, made of junk I had, but not having touched Premiere or After Effects for years – and playing in Garage Band too… It was fun. Thank you very much! “



Kerfe Roig

“I had no illusions I could construct an actual whirligig.  But I figured I could do something that moved, with birds. As usual, not much like my original vague idea.  And I had a very hard time finding a place to hang it where there wouldn’t be too much stuff in the background for a photo.  As a result, the photos aren’t great, but they do give an idea of how it looks in motion.  And now that it’s fan weather, it’s in motion much of the time.


kblog.blog / methodtwomadness.wordpress.com


Colin Bean

Rowland Emett was a cartoonist and sculptor of automata. He created things that are whimsical, English and eccentric and which serve the purpose to raise a smile and be enjoyed (Far Tottering and Oyster Creek Branch Railway Festival of Britain 1951). To me, his work is like a cross between early steampunk and Festival of Britain surrealism. I  also wanted a theme to work around, and an illustration of the cross section of the (art nouveau/steampunk) Nautilus in a  1950’s  Disney children’s book provided the theme. The first idea was to imagine a whirligig  (generally a wind driven automata) for Captain Nemo’s garden. Unfortunately, he never made land and I am no mechanical engineer, but I did put one together and rough-tested it with white card model. However, a lot of time was spent in the processing and considering its movement, and I felt the fantasy and whimsical Emmet elements were getting a little lost, so in the late and last hour, to refresh, I returned to doodling and to the train idea. Times up and I have a beginning and some initial responses. It’s been another great Kick-About and provided a lot of material to mine….. plenty more left in this Kick-About to chase.



Phil Gomm

“Developing some ideas first inspired by a previous bird-based Kick-About, I set about thinking about how I might release a bird into the rooms of my home and photograph it. Actually, I set about constructing a cardboard, bird-shaped whirligig that I could suspend along a length of white elastic, which I then sent twanging around the low-ceilings of our tiny seaside home and photographing on longish-exposures. From humble ad-hoc origins (I spray-painted the cardboard bird-thing with cans of old car paint from the shed, using our landfill wheelie bin as an impromptu spray booth…), I was able to produce some surprisingly transformative photographs. Some of them even left me thinking, ‘It’s an actual bloody bird!’. I did four different shoots over four different days – an hour-a-piece – and tried a few different things each time, with the resulting photographs moving quickly towards more impressionistic effects.”



philgomm.com


With thanks to regular Kick-Abouter (and cocoon-botherer), Graeme Daly, a new prompt and another complete shift. Looking forward to seeing you getting into your neo-expressionist stride! Enjoy.