A final set of images inspired by the prompt for The Kick-About #46, a quote from Gaston Bachelard in which he observes there is much more to a house than its geometry alone. I went looking for alternate landscapes in my home, which could speak to the realities of habitation and human activities, and finding them in the grease and chalk and dander. These photographs take the bottom of our oven as their unlikely, if rewarding, muse.
In my quest to identify further shameful surfaces in my own home for the purposes of producing some new work for The Kick-About #46, I looked to the kitchen and bathroom, environments characterised by their constant use and various accretions. What I enjoyed about these images in particular is the way they play their games of scale and space. Rest assured. dear reader, a frenzy of suds and soap followed soon after!
A third collection of photographs produced for The Kick-About #46, making indeterminate landscapes out of those shameful corners of my own home, wherein crumbs, dust, fluff and other errant fibres collect in silent disavowal of cleanliness and good housekeeping.
A second collection of photographs inspired by The Kick-About #46, which saw me lying on my belly and folded into the neglected corners of my home, spotlighting the lunar landscapes of dust and fluff I found there.
My response to this week’s Kick-About prompt – an observation by Gaston Bachelard’s observation on the true dimensions of a house – was in part, inspired by a recent re-watch of Street of Crocodiles by The Brothers Quay, a stop-motion animated short in which the miniature world on screen is characterised by its grime, dust, and catalogue of discarded, forgotten things.
Featured here are those sites of domestic shame: the grill pan, the unwashed hob, the dust-bunnies under the bed and behind the door, the stray hairs, beard-based or otherwise, once connected, now disembodied and abject, and also the cropping up of balls of bright red fluff, from my socks I think, but as widely dispersed as spores.