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I went to see Robert Egger’s Nosferatu a few weeks ago; I think it must be living in imagination still! In approaching these self-portraits for The Kick-About No.124, I was also thinking of backstage photographs I’ve seen of the likes of Laurence Olivier and Gielguld as King Lear or Prospero. And maybe it’s because I’ve
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For this week’s Kick-About, we turn inward from the bold, expressive landscapes of Wu Guanzhong, to the theme of self-portraiture. Whether literal or abstract, introspective or outward-facing, self-portraiture allows us to reflect on who we are and the world we inhabit. Enjoy this latest collection of ‘new works made in a short time’, and as
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I went to the windswept wilds of the North Norfolk coast for the New Year, and on our way to the dunes, we passed these extraordinary fields of reeds. We watched, as the wind set this landscape undulating magically. We’d been expecting bleak, sunless weather, but on this day, we got pale golden light, and
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The Kick-About No.122 invited us to explore the modular, playful spirit of Joaquín Torres-García. This week, we draw inspiration from Wu Guanzhong, who fuses Chinese ink traditions with Western abstraction. Enjoy this latest selection of ‘new works made in a short time’ and check out all previous editions of The Kick-About here. Lewis Punton “I
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I was very taken by Joaquín Torres-García’s toys—his kits or components—and that sense of these lovely, tactile ‘building-blocks’ being arranged and re-arranged. I made my ‘toys’ for The Kick-About No. 122 by making quick moulds out of cardboard boxes and filling them with quick drying filler, then slapping on some colour, and then sanding it
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In our last Kick-About, we explored the theme of ‘Solstice,’ reflecting on the turning of the seasons and the balance of light and dark. Next, we turn to the work of Uruguayan artist Joaquín Torres-García to usher in the new year. For all previous editions of The Kick-About go here. Gary Thorne “Being short on
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In this, my last post of 2024, I’m announcing the publication of Patience Kite: A Folk Tale—a novel that has lived in my imagination (and in countless drafts and hard-copy, hand-annotated manuscripts) for well over a decade. Getting this story ready and ‘out there’ is my final push—as a forty-nine year old—to refine, resolve and



