Exquisite Corpses #1 (2022)


Our kitchen has an angled glass roof running the length of our side-return. Internally, it’s constructed so there is a narrow ledge at the top of the wall, on which the glass panels rest, producing a series of impossible-to-clean compartments. These same compartments are where too many be-winged things go to die during the summer months, as they first fly into the kitchen and then up towards the glass roof in a fateful bid for freedom. We rescue as many as we can, but not every butterfly and bumble bee is as lucky. So it is we have something of an insect necropolis this short distance above our breakfast table, and while it’s true I pressed their exquisite remains into the chalky embrace of some filler for the occasion of The Kick-About No.65, no living bee or butterfly was harmed in the process.



Glove #1 (2022)


When it comes to meeting the fortnightly creative challenge of The Kick-About, needs must, and so it was I fabricated my own much down-sized ‘soundsuit’ from a single yellow glove, wooden buttons, glass eye pieces and strands of colourful wool. I was drawn to some of the goofier, ‘Jim Henson-esque’ elements of some of Nick Cave’s soundsuits (the prompt for our latest Kick-About) – hence the Muppet-y character of my resulting hand-puppet. Turns out, however, even the goofiest glove puppet can throw some shapes on the dancefloor!




July Seascapes, Whitstable (2022)


These photographs were taken on the day after the UK saw those uncanny, record-breaking temperatures. We went to the beach to escape the strange temperature of our terraced house and swam gratefully in the shallowing sea. A few people wondered what I was doing with my camera pushed into a translucent bag and photographing into the sun, but I was out there, experimenting, gunning for heat haze and the shimmer. Turns out that double-wrapping the lens with gauze makes moonlight out of sunshine.



Grasses After Lamplough #2 (2022)


A second collection of photographs inspired by the watercolour paintings of Augustus Osbourne Lamplough, our most recent Kick-About prompt. In order to emulate the soft tonal range of Lamplough’s landscapes, I photographed this unkempt basin of umbellifers and grasses through gauze to flatten everything out and spread the sunlight liberally. In some of these images you can see the weave of the gauze producing a cross-hatching effect across the surface of the image.



Grasses After Lamplough #1 (2022)


I wasn’t familiar with Augustus Osbourne Lamplough’s work (our latest Kick-About muse) but I find his paintings completely magical, and can hardly believe they’re paintings at all, in so much as all that soft golden light and gauze is produced from paint and brushes onto paper.

In Lamplough’s landscapes, I find the impressionism and light-play I always want from my own photographs, and it was a happy coincidence the Lamplough prompt should arrive in the same week I was experimenting with physical gauzes to produce more diffuse lighting effects of my own.

Suitably inspired, I returned to a local bit of unadopted scrub set just back from the sea front (last seen here under very different circumstances) and indulged once more my love of grasses, in all their billowing contours. First putting my camera into an organza bag, I proceeded to photograph the scrub as the wind pushed it this way and that, and the sun illuminated every quill and strand of it. Meanwhile, the gauze served to flatten everything out and flood the subject with light, producing some Lamplough-like atmospheres from a largely over-looked landscape. There are a few more to follow in coming days.