The Kick-About #3 ‘Dance Of The Happy Shades’


Metropolis – our last kick-about prompt – inspired a wide-range of creative responses from a wide-range of creatives. I experienced a proper thrill of anticipation as the submissions began to arrive via email, blogposts and Twitter. ‘Metropolis’ brought with it some very clear and beloved associations; many of us couldn’t wait to channel our inner Fritz Lang. Prompt No 3 – ‘Dance of the Happy Shades’ – was an arguably more elusive start-point inspiring another rich collection of responses in a variety of different media. Enjoy!


Phil Cooper

“I started off by painting some foliage and flower shapes onto tracing paper, cutting them out, placing on a light box and photographing them. I meant the results to be shadowy and rather gothic, but they turned out rather different. Perhaps because it feels like full-on summer here in Berlin this week, and perhaps because I watched Picnic at Hanging Rock the other night, the photos have more the atmosphere of a languorous sunny afternoon in the garden –  not what I set out to do at all.  I was so seduced by the colour palette of Picnic at Hanging Rock, I’ve let the images go in this direction…”


instagram.com/philcoops / hedgecrows.wordpress.com / phil-cooper.com


Francesca Maxwell

“On reading the title “Dance of the Happy Shades” I immediately thought of shadows, and the shades of tones in the shadows, rather than shades of greys and colours. I thought of the subtle tones in a desaturated situation, like during twilight, one of my favourite times of day. Still, I needed a relatively strong source of light to create the shadows. Also, I was looking at translucent rather than solid objects, to get more nuances in the tones, as well as texture – translucency and texture being also some of the things that most inspire and attract me. I tried and looked at few different things, including rereading “In the Praise of Shadows” by Junichiro Tanizaki, and watching the Zhang Yimou’s film “Shadow” – an amazing film. In the end, it was the moving reflection on the wall of three glass flowers I made few years back standing on my mantelpiece that I wanted to do. I was originally going to paint them with the Chinese ink and brush technique, but I started sketching them out in colour pencil and rather enjoyed the process, and the result was close to my idea. Pencils on hot press watercolour paper. 84×60 cm.



www.FBM.me.uk


Emily Clarkson

“I’ve got two quite different responses this week. Firstly, one very silly gif. This was inspired by a friend, when I asked her, ‘What do you think of when I say ‘Dance of the Happy Shades’?’ she responded, ‘I just see a dude dancing in shades.’ Her response made me think of an older gent embodying a Dad-joke of sorts…”



“The second idea that came to mind was old Disney style – Fantasia – but instead of brooms and the like, it was floor lamps, with shades. (It’s a tenuous link, I know!). I hadn’t fully worked out how I could animate the idea (plus I left it too late anyway) but that didn’t mean I couldn’t embody it somehow! So here’s a silly storyboard of some dancing floor lamps! I put together a quick animatic – it’s not as motion-filled as I’d like, but I hope it gets my daft idea across a bit better. Haha!”



instagram.com/eclarkson2012 / twitter.com/eclarkson2012 / linkedin.com/in/emily-clarkson


Phil Gomm

Inspiration came from Alice Munro’s Walker Brothers Cowboy, the very first story in Munro’s Dance Of The Happy Shades. In it, a little girl and her brother are too hot and listless in the back of their father’s car. They play I Spy to pass the time:

“We play I Spy, but it is hard to find many colours.  Grey for the barns and sheds and toilets and houses, brown for the yard and fields, black or brown for the dogs.  The rusting cars show rainbow patches, in which I strain to pick out purple or green; likewise I peer at doors for shreds of peeling paint, maroon or yellow.”

I wanted to evoke the languor of a similarly long hot day and the way lethargy encourages you to look for escape-routes in ordinary and over-looked places – like the peeling paint on a garage door, which if you squint, might come to resemble some glinting sea or exotic terrain. With the exception of a few sound effects purloined from the BBC SFX archive, the majority of sounds in the film were recorded in an around the rather careworn seaside town I call home. At risk of sounding bossy, grab some headphones for a suitably immersive experience.




Kerfe Roig

“My Rorschach ancestor mirrors himself and transforms in both vertical and horizontal directions.  It was fun to add a little nonsensical creation to my days.”



He seems friendly
enough, this presence
of the past, shifting
languorously as if
drugged by sun
light shining in his eyes
after a thundering rain

In truth his voice
is seldom called
upon—an apparition
furniturial, fixed
impermanently in
corners and along
walls



His dance contains
unpredictable
undertones—the hours
move around him
as his buddha smile
glimmers knowingly
in the dark


kblog.blog / methodtwomadness.wordpress.com


Liam Scarlino

“I found a photo of the author of Dance Of The Happy Shades, Alice Munro from 1971, a couple of years after the book was published. I thought it would be nice to add some colour to it. While it was possible to find photos from a few years later that I could reference for eye colour, skin tones, hair etc, I still feel there’s a large degree of fiction in this, or any other colourised photo. Where the photo was taken, what time of day, what colour clothing all became something imagined without proper sources. This is an interesting contradiction for me, because by trying to bring something to life, it actually makes it more like a woozy loose memory. I’ve been doing something similar with old family photos recently, and have been able to test the memories of elder relatives in the photos for details. While a modern sheen of colour makes the image feel more appealing, I often wonder if the photos are more meaningful in their original state.”


 liamscarlino.net vimeo.com/liamscarlino


Vikki Kerslake

“My mind went straight to ballerina dancers and wanted to capture them in a loose style, and was thinking of black and grey shades. So I did some small charcoal sketches of ballerina dancers as an initial response while sitting out in the park… I moved them into Photoshop and did some tweaking and painting to make them fit into a more complete image.”  


twitter.com/ambivalent__cat


Marion Raper

“I was thinking of a very exuberant Flamenco Dancer wearing a fabulous skirt of happy, bright and gaudy layers. I painted on Yupo paper for the woman’s figure and used scraps of silk and net individually twisted and bound for her skirt. I enjoyed the whole task very much and it definitely made me want to do a happy dance!”



Annie Roberts

“Originally, I wanted to respond to a couple of quotes within the book, make some kind of lively piece with dancers and muted colours, but after reading up on Orfeo ed Eurydice, I decided instead to look to the Greek god of the underworld, Hades. Not only did it relate to this Kick-About prompt, but also to another project I’ve been working on. Right now, it’s called “So, this is life?” and involves a goddess in the stars being banished from the heavens and forced to live among humans. I’m basing the characters on constellations and Greek mythologies, so Hades was perfect. I’m still working out kinks on the story but the basic world-building is the “constellation” gods and goddesses watch over whatever humans were born under their star and act as lore keepers for them. When the humans die, they must journey to Hades and the constellations hand over their lore to Hades. This current design of Hades is the first iteration. He’s bound to change as I develop this concept further.”


linkedin.com/in/annie-roberts / twitter.com/owljunk / owljunk.wixsite.com


Graeme Daly

“I am absolutely loving these Kick Abouts! It has completely opened my eyes to the possibility of doing quick little ‘micro shorts’ – and this time I decided to give it a whirl for a film of sorts.  For the Metropolis prompt, I was drawing and animating the creative responses using a particular set of Photoshop brushes that are always my go to.  I was in my bathroom and opened up my medicine cabinet, and just as I did, the light from outside was shining into the window and through a crack of the medicine cabinet door. It created this brilliant concentrated brush stroke of dancing illuminating light that mimics one of the brushes I love to use in Photoshop. I took out my phone and filmed myself opening and closing the medicine cabinet door over and over again, as I knew this would not last long because of how pinprick precise the light was in that moment. I realised I could work with the videos to produce something for the kick-about, so I started to play. 

A lot of what is going in the film fell into place through experimenting by mixing all the videos together, playing with blend modes, light, shadow and shapes. The song is Grey Drops by Sergey Cheremisinov. When listening to Cheremisinov’s unique pieces I always imagine something odd and intriguing coming to life, something with a lot of texture. I envisioned things moving in the shadows that shouldn’t move. The best thing about creating like this is something magical happens by itself; as I was swinging the medicine cabinet door, I noticed it looked like the light was giving way to these phantom spectres that were projecting part of themselves away and then consuming it again with every swing of the door. Everything started to intensify as I edited the film together, and then a story started to flourish.”



@graemedalyart / vimeo.com/graemedaly / linkedin.com/in/graeme-daly / twitter.com/Graeme_Daly


Tom Beg

“Dance of the Happy Shades is a title as evocative as it is elusive. In an attempt to understand the mystery and make the shades dance, here is a little series of blindingly colourful, expressionist and illusionistic photographic manipulations.”


twitter.com/earthlystranger / vimeo.com/tombeg


Gary Thorne

It all turned about-face after the start. The studio’s sense of itself took over. Nuances I set about exploring ended up as grey-scale shades flowing from colour. HB pencil, on Artistico Fabriano 640gsm hot pressed. 77cm x 56cm. 24 hour drawing.”


linkedin.com/in/gary-thorne


Charly Skilling

“I was going through some old paperwork when a photo fluttered to the ground, one of me as a child, which prompted a rush of memories. I found other photos, of other times, and I tried to set down in words the feelings and images they evoked.  I recalled sounds, music, voices, and wanted to find a way to combine images, words and sounds to share with others the emotions they aroused in me.  I don’t have the technical knowledge or skills to create what I envisaged – but luckily, I know a man who does!  We talked for a long time about the ways and means, of shape and substance and then he took my words, my images, my memories, and between us produced the following short film.



Jordan Buckner

“Optimism isn’t my comfort zone, but it was lovely to work more abstractly and suggestively than usual. I’ve never read Dance of the Happy Shades, but the title alone suggests to me the movements of grass fields, dappled sunlight and a shifting summer breeze. This is the best I can do to evoke Van Gogh. Unfortunately, the grey British skies did not imbue my blood with a great talent for evoking the beauty of the sun!”


instagram.com/jordan_buckner / twitter.com/jordan_buckner /linkedin.com/in/jordan-buckner jordanbuckner.co.uk

Watch Jordan paint live at twitch.tv/jordan_buckner


Courtesy of Berlin-based artist, Phil Cooper, we have our new prompt – a short sequence from Jean Cocteau’s Orpheus (1950). In common with all previous kick-abouts, you’re invited to respond to the new prompt in anyway that gets your juices flowing, and if you’ve enjoyed this third creative run-around and you want to get involved, then crack on!





11 thoughts on “The Kick-About #3 ‘Dance Of The Happy Shades’

  1. What a rewarding and inspiring post! I love the Kick About, how it prompts people from all over the world to go make something and come together to share it. And the work is so rich and varied; at times bold and exciting, at other times touching and delicate. Bravo all!

    Liked by 1 person

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