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A few more on this Friday from this 2020 trip to a curvaceous field of flax
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At the outset of 2022, I began working with a small cohort of postgraduate students at The Margate School on the Visual Communication: Design, Society, Nature one year, part-time programme. I had the pleasure of working with a lovely group of individuals and, in celebration of their achievements, and likewise yesterday’s launch of Margate’s inaugural…
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A second collection of creative bits produced in response to The Kick-About #62, itself inspired by the short film Powers Of Ten (1977). In short, deploying a sort of digital automatism, I repurposed this batch of photographs into something more planetary, and then, after that, started thinking about more geological or cartographic appearances.
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I must have been drawn to the subtle, graphical quality of this mown path at Mount Ephraim, enjoying its scorch and desaturation, and that lovely curving line. Anyway, I liked it enough to take a photograph of it back in the late summer of 2009.
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So this one takes a bit of explaining… Short version is I wanted to produce something that got into the visual rhyming between the cosmic and the microscopic you see in the Charles and Ray Eames’ 1977 short film, Powers Of Ten, and likewise the graphical quality of its art direction.
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From the internal and endlessly expansive spaces of our memories, as inspired by our previous Kick-About together, we’re this week exploring the mind-boggling extremities of different scales, courtesy of Charles and Ray Eames’ 1977 short film, Powers Of Ten. Enjoy this latest showcase of ‘new works made in a short time’, the big and the…
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A random bunch of umbellifers – dates and locations long-since forgotten – but likely dating from the early noughties, and all photographed on 35mm slide film originally.
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Another off-cut from early 35mm experiments out in the sultry gloom of the environs of the old French house, from the summer of 2013. There’s little doubt you could produce commensurate effects by layering-up images in Photoshop – an old house composited together with a squiggle of digital light – but the analogue mechanics behind…
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Consider this a sequel of sorts, as back in March 2021, I photographed and catalogued a selection of my own keepsakes, the emotional importance of which I couldn’t actually remember. Molly Drake’s small, beautiful song, I Remember isn’t so much about the fallibility of memory, but rather the different ways in which we remember the…
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Our last Kick-About together was a celebration of the idea of tea-making, tea-drinking, and its various rituals. Without this activity, with its powers of comfort and displacement, I wonder sometimes how we would otherwise negotiate some of life’s disappointments, large and small. Disappointment is one of the themes of Molly Drake’s I Remember, and it…
Red's Kingdom 