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A few alternates produced in response to The Kick-About No.63 and the interiors of Vilhelm Hammershøi, taken at The Margate School, which operates out of an old department store in the same seaside town as Turner Contemporary.
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This photograph was taken just minutes before we opened our garden to the public as part of last year’s National Garden Scheme shindig; the view here is of our little patch of seating space outside the kitchen, not usually as packed out with plants as this, but not far off.
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Recently, I’ve been spending a bit of time in an old seaside department store, home to The Margate School, an art school and studio space for artists and makers. I’ve had some official duties to enact there, but found some time to roam about the building with my camera. In common with Vilhelm Hammershøi’s paintings – the prompt…
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Our last Kick-About together was inspired by continual movement and the accompanying changes of scale and perspective. This week’s showcase of new works made in a short time is, by contrast, a mediation on silence and stillness, as we explore together the hushed, pensive environs that feature in the paintings of Vilhelm Hammershøi.
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A few more on this Friday from this 2020 trip to a curvaceous field of flax
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At the outset of 2022, I began working with a small cohort of postgraduate students at The Margate School on the Visual Communication: Design, Society, Nature one year, part-time programme. I had the pleasure of working with a lovely group of individuals and, in celebration of their achievements, and likewise yesterday’s launch of Margate’s inaugural…
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A second collection of creative bits produced in response to The Kick-About #62, itself inspired by the short film Powers Of Ten (1977). In short, deploying a sort of digital automatism, I repurposed this batch of photographs into something more planetary, and then, after that, started thinking about more geological or cartographic appearances.
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I must have been drawn to the subtle, graphical quality of this mown path at Mount Ephraim, enjoying its scorch and desaturation, and that lovely curving line. Anyway, I liked it enough to take a photograph of it back in the late summer of 2009.
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So this one takes a bit of explaining… Short version is I wanted to produce something that got into the visual rhyming between the cosmic and the microscopic you see in the Charles and Ray Eames’ 1977 short film, Powers Of Ten, and likewise the graphical quality of its art direction.
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From the internal and endlessly expansive spaces of our memories, as inspired by our previous Kick-About together, we’re this week exploring the mind-boggling extremities of different scales, courtesy of Charles and Ray Eames’ 1977 short film, Powers Of Ten. Enjoy this latest showcase of ‘new works made in a short time’, the big and the…
Red's Kingdom 