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Not unlike the little match girl in the well-known festive fairy story, I find myself looking into the dark shuttered interiors of our Tier 3 pubs, wishing for happier times. I feel for all the publicans right now, and worry about all the little dark spots that have opened up in people’s lives where a…
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A seventh short little exercise in seeking to evoke a particular place and time through the simplest means of image. movement and sound. Our trip out to the nature reserve at Oare, Faversham, Kent coincided with a wonderful sunset and pellucid moonrise, our slow shamble among the tall feathered reeds and every-which-way grasses accompanied by…
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The last set of photographs from Oare, Faversham – more reeds, more grass, more real-world tapestry.
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Whitstable beach is shored up with wooden groynes that extend into the sea to keep the beach from washing away. I was reminded of my childhood in the deep dark woods of the village, less because of the proper cold (which is the way I remember – rightly or wrongly – all the winters of…
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After the civilised environs of Eric Ravilious’s well-to-do High Street, our latest Kick-About goes off-road, heading into the deep wintery hush conjured by Robert Frost’s 1922 poem, Stopping by Woods on a Snowy Night.
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More images from the nature reserve at Oare, as the failing light softened everything still further and the low orange sun turned the reeds into serried ranks of stiff copper pennons.
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More photographs from our recent sun-downer at Oare, where the banding of textures, colour and scrub combine to create some unexpected, textile-tastic effects.



