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This week, the woods remain lovely, dark and deep, as dreams of snow and ice continue to characterise this suitably festive Kick-About, with new works inspired by the third slow movement from Hely-Hutchinson’s 1927 A Carol Symphony. The Kick-About has been running for thirty-four weeks and was started, in part, as a response to the…
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Taken a few hours before an 80’s themed birthday party back in late February, these photographs of my fancy dress preparations have since accrued an improbable poignancy. It was a moment of silliness, which saw me attend the party as a hirsute amalgam of Cher, Bonnie Tyler, Jon Bon Jovi… and, anachronistically, Roy Wood from…
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Not unlike the little match girl in the well-known festive fairy story, I find myself looking into the dark shuttered interiors of our Tier 3 pubs, wishing for happier times. I feel for all the publicans right now, and worry about all the little dark spots that have opened up in people’s lives where a…
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A seventh short little exercise in seeking to evoke a particular place and time through the simplest means of image. movement and sound. Our trip out to the nature reserve at Oare, Faversham, Kent coincided with a wonderful sunset and pellucid moonrise, our slow shamble among the tall feathered reeds and every-which-way grasses accompanied by…
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The last set of photographs from Oare, Faversham – more reeds, more grass, more real-world tapestry.
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Whitstable beach is shored up with wooden groynes that extend into the sea to keep the beach from washing away. I was reminded of my childhood in the deep dark woods of the village, less because of the proper cold (which is the way I remember – rightly or wrongly – all the winters of…
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After the civilised environs of Eric Ravilious’s well-to-do High Street, our latest Kick-About goes off-road, heading into the deep wintery hush conjured by Robert Frost’s 1922 poem, Stopping by Woods on a Snowy Night.



