Back in late April, we took a walk into the local woods to see the bluebells and green frills of young Spring foliage, but I was very much more drawn to the sullen pond sitting in shadow below the eaves of the trees. The soupiness of this small body of water shouldn’t have been in any way inspiring, and yet it seemed to slow and melt and warp the world reflected in it. The few photographs I took of these reflections possessed qualities that excited me; here was the oiliness and the grubbied silk, and the near-metallic sheen produced by the grey bloom of the water.
The Orpheus portal prompt for the Kick-About #4 sent me hurrying back to the sluggish pond in one of those rare moments of knowing exactly how I wanted to respond. The notably dry Spring meant the pond was rather smaller than before – and the water even blacker and more viscous. The atmosphere was the same – mysterious, solemn, and silent. The lone figure who haunts the resulting images was just the thing to push the idea a little further. Friend or foe? Past or future? Living or dead? I don’t know. This scrying mirror is keeping its secrets.
3 thoughts on “The Scrying Mirror (2020)”
I love the way looking at something in water alters it. Great photos. (K)
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