I guess the first thing to establish is no actual eyes were harmed in the making of these images! I should say too, no actual eyes were photographed either. In common with these recent images, I looked to various commonplace things at my disposal, and once again channelled my inner low-budget film-maker to respond as instinctively as possible to the retinal-imagery of The Kick-About No. 30.
I won’t reveal my secrets just yet, but suffice to say there is now a shortage of red food colouring and olive oil in our kitchen. I don’t think I will ever tire of the ‘in-camera’ transformations produced by light, specularity and depth-of-field, the magic that sometimes happens between the subject and the lens. I was inspired by images of cataracts and ‘damage’ to the eye (and I think, more gruesomely, by A Clockwork Orange too). In terms of producing some of the more painterly noise in the images, the bokeh, scintillas and dust, I also revisited Street Of Crocodiles by the Brothers Quay.
This set of resulting images is but a small sample, as I did a bunch of different things over four different days. From these very biological-seeming images, things became more painterly and strange, so I’ll be sharing some more ‘fundus photography’ in the coming days. I’ve certainly been having some fun.