Red & The Chamber of Architects

The Viola District from Red & The Kingdom of Sound

Back in October 2019, Red & The Kingdom Of Sound was selected and screened as part of the Istanbul International Architecture and Urban Films Festival.

I submitted the animation to the festival on a whim. Nothing about this festival’s remit aligned with classical music or the visualisation of sound, and yet our ‘kingdom of sound’ did represent something of an architectural fantasia, what with its fifteen imaginary realms derived entirely from the structures of musical instruments. One of the guiding principles underpinning the commission of our animated adaptation of Benjamin Britten’s The Young Person’s Guide to the Orchestra was to diversify audiences for classical music, so when the Chamber of Architects (Istanbul Metropolitan Branch) agreed to include the film in their screening programme, I was very happy.

“Since its foundation in 1954, the Chamber of Architects has been endeavouring intensively in order to enhance architectural culture, protect historical heritage, and improve quality of life. In order to introduce a new aspect to such endeavours, the Chamber has been organizing an event named “Istanbul International Architecture and Urban Films Festival”. The event aims participation by anybody interested in that field, in particular the architects. The festival is scheduled as a part of “Architecture and Urban Festival” organized by Istanbul Metropolitan Branch of Chamber of Architects by virtue of the “World Architecture Day”, a day widely celebrated in the world in the first Monday of October every year.”

Selma Erdem, festival secretary, got in touch via email a few days ago to ask if Red & The Kingdom Of Sound could be shown again as part of the Chamber of Architects Istanbul Branch’s response to the COVID19 lock-down. Of the film’s original selection for an architecture-themed film festival, Selma has this to say, describing Red’s adventures in the kingdom of sound as a ‘a great explanation of the connection between time, space and sound.’ Of the decision to show it again as part of their COVID programming, Selma thought Red’s adventures would ‘give people hope and joy.’

What a satisfying thought, that on May 4th, people will be listening to Britten’s music while watching Red swim down into the dreamy depths of the Cello District or dodge the wrecking ball in the much-less relaxing Percussion District!

The ‘Tuba’ Palace from Red & The Kingdom of Sound
Inside the Tuba Palace from Red & The Kingdom of Sound
The Bassoon District from Red & The Kingdom of Sound

Imagining and making the architectural follies that feature in Red & The Kingdom Of Sound was no small creative feat and took a dedicated team many months to produce. Take a look at this short ‘making of’ for a glimpse behind the scenes.

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