I was away in France two weeks ago in an old house that always inspires me to channel my inner ‘spirit photographer’, hoping to create and/or capture some kind of phantasmagoria with my camera. The latest KA prompt saw me thinking about how I could manifest a shadowy apparition in the looking glass of the old wardrobe in one of the big rooms upstairs. I was thinking about ‘Candyman’ and all the urban legends like it, in which you stand before a mirror and say the name of someone three times—not praising them exactly, but close—in the hope/fear that they will appear in the mirror as summoned. I created a very simple ‘silhouette’ out of cardboard and three black plastic tablecloths and then suspended the ad-hoc figure from a beam on a length of black elastic.

That done (with the whole set-up looking very unpromising, I must say!), I then went about taking long exposures of the silhouette as I pushed and pinged it about, seeking to produce some suitably shadowy effects. As you may imagine, there were many photographs taken during this process in which nothing transformative happened at all (just some sweaty bloke in a very hot room shoving a crude figure about and hoping for the best), but there were others in which something rather more ‘unheimlich’ resulted…




9 responses to “Ombre (2025)”

  1. The last few seem to me very Nosferatu-esque.

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    1. Hey Melissa – I know: that last one in the mirror; the sideways ‘hang’ of the silhouette’s head… when I saw it I thought, that’s just like the remake (only I think my efforts were cheaper to make! :D)

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  2. Suitably spooky. Mirrors are endlessly fascinating. (K)

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    1. That wardrobe has a definite vibe, Kerfe!

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  3. You’re so clever and so playful. It’s a marvellous combination. I love the sepia tones and the spooky images. My daughter is studying screenwriting at uni and I often watch films with her. These immediately made me think of Dracula, before I read your description. (The other day we watched the original Suspiria, and then went on to watch the new version straight afterwards. Both fabulous, and both with stunning colour palettes – completely different from each other.) Bravo Phil!

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    1. Judy! Hey! I love the original Suspiria… I used to show it to my students on the big screen and the experience was always intense; even now, if I meet the students as adults, they will always tell me how big an impact that film made on them – never has colour been so terrifying! Hope all is wonderful with you and yours X

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  4. The lines and angles of the wardrobe and beams, the colour, that figure! The whole conception of it all, like a concoction of all the scary things you love. I can imagine the old French house is the ultimate inspiration!

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  5. Love this, quite spooky really!

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