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I was introduced to Joni Mitchell’s 1971 album, Blue, when I was a first year undergraduate at art college. Maybe this is when everyone first hears the album? It certainly reads like a cliché now I’ve written it down.
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I know, I know. There’s been a whole world of grass-themed posts on here over the last few weeks. Blame the good weather. Blame the lock-down. Blame the Kent countryside. Blame Monet’s and his fetish for haystacks. In my defence, this particular grass was snapped all the way back in the late Summer of 2014…
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Lilium ‘Night Flyer’ in the late afternoon sun was an impressive sight – nearly black flowers revealing the deepest, richest reds and licks of orange flame. Lilium ‘Night Flyer’ in the early morning after the night’s rain, lit by the soft-box of the clouds, was something else again; black petals reflecting white, droplets of water…
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Next to the flowering meadow of wild grasses in all their variance, there is a large field of young wheat, glaucous, uniform in habit and in height, but tipped with spindrift by the gentle play of the wind. Again, in place of an actual space, I could see only brush marks on a flat surface,…
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This image is joyous – like a shoal of outlandish helium balloons. It looks to me like you were really enjoying yourself, translating your Miro-verse ‘anchovies’ into 3D existence…
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“An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.”
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Dangerous-looking and ridiculously dramatic, these ‘Night Flyer’ lilies were glowing in the garden this afternoon, their stamens like pokers left too long in the fire.
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A further rush of gauzy photographs from that plushly upholstered meadow of flowering grasses.
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Another evening walk, another glorious meadow, another glut of painterly photographs! Is it art or are they just 5000 piece jigsaws-in-waiting? What’s ultimately disappointing about these images, their billowing impressionist effects aside, is they can’t truly describe the way the breeze was running across the meadow, making puffs of powder paint out of all the…
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Designed by Paul Julian, directed by Ted Parmelee and narrated by James Mason, UPA’s 1953 masterful adaptation of Edgar Allan Poe’s short-story is proof – if more proof is even needed – that animation isn’t the preserve of children.
Red's Kingdom 