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Charles Sheeler, our prompt for our previous Kick-About, transformed his man-made landscapes into flattened, graphical patchworks. Klimt’s painting, Tannenwald is similarly transformative, magicking a forest of ubiquitous pine trees into something as tactile and richly textured as tapestry and is this week’s muse. Happy browsing – and you’ll find all previous editions of The Kick-About…
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In a previous life, I would always find myself fiercely preoccupied May-through-June with designing and fund-raising for my final year students’ graduate showcase at New Designers in Islington, London.
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A few more photographs of the Brett’s aggregate factory, Whitstable, taken in response to the Charles Sheeler prompt for The Kick-About No.80.
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I love Lunaria annua, with its translucent paper discs and silhouetted seeds. This bunch of seed heads were harvested from the scrub at the edges of the Old French House and poked into a big pot in the hallway. That was eight years ago now – and the seed-heads remain there, likely with a fine…
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One of the things guarding against the prettification of my home town is the presence of an aggregate factory slap-bang in the harbour. With Charles Sheeler’s flattened abstractions in my sights – this week’s Kick-About prompt – and likewise his use of colour, I went out to photograph the factory buildings, with the idea of…
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Textile artist, Sheila Hicks, inspired our last Kick-About together, and it was all soft, cushiony forms, meshes and string. This time out, we’re keeping company with Charles Sheeler and his crisp, clean expressions of modernity.
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I’ve spent a good deal of time getting lost in fields, as for me, there is nothing more transportive than a wall-to-wall vista of meadow grass as its colours and textures are transformed by the breeze and by the light. I can’t recall where this field is or what I was doing there back in…
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A second batch of Sheila Hicks-inspired forms providing the answer to the question no one ever asked about what happens if you load shredded cardboard with Christmas pudding-sized dollops of filler, before wrapping the whole lot in an organza bag… Produced for The Kick-About No.79, these objects are a great example of working with the…
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I can’t recall exactly where this photograph was taken, except it was one of those lovely large houses with lovely large gardens somewhere in Kent, and it was sunny day in 2015 and we were just mooching about enjoying the view. The breeze was doing nice things to the surface of the water, with the…
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I was very drawn to Sheila Hick’s fabric marshmallow-y boulders, but knew right away I didn’t have the resources or the space to emulate the scale of Hick’s installations – the prompt for The Kick-About No.79.
Red's Kingdom 