
All of this began simply enough: in response to the Kick-About No. 47, try and construct a new face from fragments in a John Stezaker-style, and in so doing, seek to produce something as unsettling as some of the photographer’s sepia chimeras.
Reaching for the remainders of some nylon tights and toy-stuffing left-over from the very first Kick-About, I set about sewing together a new face around the shell of a white balaclava. I wanted to produce a fine-art object, as opposed to anything too illusionist, something a bit deconstructed, with its seams showing and the fact of its construction left conspicuous. In this, I looked to Stezaker’s own collages, which likewise make no secret of their provenance of different parts.







The head-thing fabricated, I then left it about the house, like a thing left behind or dropped, and photographed it in situ. At times creepy, and at other times rather sad-seeming, this quickly-produced face-of-bits kept accruing personality and the uncanny ability to seem life-like, even in spite of its obvious anatomical imprecisions and sticky-out bits of thread. That’s the thing about faces, I suppose – even the ones fashioned badly out of tights and Kapok; we can’t help relating to them.




So enthralled by how grim it looks so close up with all its stitches and inflamed skin but once it’s set in an environment it becomes something totally different and especially when it attaches to a set of eyeballs and a body!… It is almost like that is all it ever wanted haha!
LikeLike
Wonderful. (K)
LikeLike